Elaine Bearer
About the composer
Elaine L. Bearer is an accomplished American composer and neuroscientist, whose career spans the realms of music and science. Her musical journey began at The Manhattan School of Music, where she earned her Bachelor’s of Music in Theory. Prior to this, she studied under the renowned Nadia Boulanger in Paris, laying a strong foundation for her future in composition.
Bearer’s musical repertoire is diverse and impressive. Her compositions range from orchestral pieces to chamber music and choral works. Notable creations include the piano concerto “Ode to the White Crown Sparrow,” premiered by the Symphony of the Redwoods, and the hour-long oratorio “Magdalene Passion,” commissioned by the Providence Singers. Her symphonic tone poem “Ultrasonic” was performed by St. Matthew’s Music Guild, while various choral works have been presented by the Pasadena Promusica.
In recognition of her musical achievements, Bearer received the Distinguished Alumni Award from The Manhattan School of Music in 2019. Her compositions have been recorded on CD by Albany Records, and some of her scores, including the Nicholls Trio, have been published by Hildegaard Publishing Company.
Alongside her musical career, Bearer pursued scientific studies, earning an MD-PhD from the University of California San Francisco. This unique combination of expertise is reflected in her academic appointments. At Brown University, she held professorships in both Biology and Medicine and in Music. Currently, she is the Harvey Family Professor in Pathology at the University of New Mexico and maintains a secondary appointment in the Music Department.
Bearer’s dual passions continue to shape her career. She was recently bestowed with an honorary professorship from The Strømstadt Akademi in Sweden, where her newly composed string quartet premiered at the award ceremony, showcasing the ongoing interplay between her scientific and musical endeavors.
About the Stabat Mater
Date: | 1999 |
Performers: | Mixed chorus, chamber orchestra (oboe, strings, percussion, tympani, harp) and organ |
Length: | 4.15 minutes |
Particulars: | Elaine Bearer’s Stabat Mater forms part of her larger composition The Magdalene Passion, an hour-long oratorio in 12 movements. This piece was commissioned by the Providence Singers under the direction of Julian Wachner, with support from the Rhode Island Council for the Arts. The Stabat Mater appears in the tenth movement, "Thunder: Perfect Mind," which integrates both the first stanza of the traditional Stabat Mater text and inspirations from the Gnostic Gospels, as discussed in Elaine Pagel’s book The Gnostic Gospels. Bearer crafted the music and lyrics for this movement, blending the early Christian chant and mystical language of the Gnostic texts. Movement 10 is scored for chorus, percussion, timpani, and strings, creating a powerful soundscape. The lyrics explore profound dualities, such as “I am the Whore and the Holy One,” reflecting the Gnostic tradition's emphasis on opposites. The movement also echoes the sacred sorrow of the Virgin Mary from the Stabat Mater sequence, evoking deep contemplation of the divine and the human. The chorus sings lines like Stabat mater dolorosa and Juxta crucem lacrimosa, interwoven with Gnostic reflections like "I am the first and the last" and "I am the silence and the sound." |
Textual variations: | Only the first stanza of the Stabat Mater text has been used. |
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Information about the recording
MP3: | Live recording of the premiere in 1999 |
More info: | The Magdalene Passion premiered on May 22, 1999, at the Cathedral of St. Peter and St. Paul in Providence, Rhode Island. |
Choir: | Providence Singers, |
Conductor: | Conducted by Julian Wachner |
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