Benedictus à Josepho

About the composer

Benedictus à Sancto Josepho (1643–1716), born as Josephus Henricus Buns, hailed from Geldern, near Kevelaer, was Dutch territory at the time. During his youth, he received his initial education at the Carmelite institution in Geldern. Buns professed in 1660 and, in 1666, adopted the monk-name Benedictus à Sancto Josepho. Between 1666 and 1671, he relocated to the Carmelite Monastery in Boxmeer (the Netherlands), assuming the position of sub-prior. Holding this position, he extensively journeyed to cities such as Utrecht, Scheveningen, and Antwerp, gaining profound knowledge of European musical life. By 1701, he identified himself as a composer, conductor, and organ expert.

Much of his work has been preserved: 109 religious vocal compositions encompassing motets, litanies, masses, dialogues between vocal and instrumental choirs, alongside 14 instrumental sonatas. His music aligns with the principles and style of the Venetian School prevalent at the onset of the 17th century.

During the 17th century in the Netherlands, the Protestants were dominant. Public Catholic worship faced prohibition since 1648. Catholic communities, preserving their religious music, existed around Gemert and Boxmeer, under the tolerance of the Protestants. Boxmeer even earned the moniker ‘Rome of Brabant.’

Starting from 1701, Benedictus devoted himself to studying and practicing Gregorian chants. He, along with his colleagues Cornelis Verdonck (1563-1625), Carl Rosier (1640-1725), and Herman Hollanders (1595-ca.1640), developed a distinct ‘Brabant Style.’

Benedictus à Sancto Josepho passed away on December 6th, 1716, in Boxmeer. He stood as one of the most significant composers in the latter half of the 17th century. His compositions continued to be published across Europe even after his demise.